
Michael Kahn (three-time Oscar winner for Raiders of the Lost Ark, Schindler's List, and Saving Private Ryan):
"Don't edit from knowledge, edit from feeling. It's not about knowledge; it's all about feeling or intuition. Your feeling is what you're getting paid for. It's your ability to cinematically touch things."
A. Sreekar Prasad (Nine-time National Film Award winner):
"Editing is a world of its own where a film could be reborn; it is at the editing table where a film takes actual shape and is infused with a comprehensive dimension."


Thelma Schoonmaker (three-time Oscar winner for Raging Bull, The Aviator, and The Departed):
"Editing is a lot about patience and discipline and just banging away at something, turning off the machine and going home at night because you're frustrated and depressed, and then coming back in the morning to try again."
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Walter Murch (Oscar winner for The English Patient and Apocalypse Now):
"Film editing is now something almost everyone can do at a simple level and enjoy it, but to take it to a higher level requires the same dedication and persistence that any art form does."
"The underlying principle: Always try to do the most with the least—with the emphasis on try. You may not always succeed, but attempt to produce the greatest effect in the viewer's mind by the least number of things on screen. Why? Because you want to do only what is necessary to engage the imagination of the audience—suggestion is always more effective than exposition."